because it reminds me of some of the worst "turning point" scenes in movies I saw when I was a kid(It was cool that there were more comedies in the 1980s, but some of them held us by the hand a bit more than they should have, right? Well, you probably still know the kind of scene I mean:
Our Main Character goes off dressed up in the morning, certain he's getting a promotion at Non-Specified Office Job, only to find out he is actually being demoted or fired instead so he trudges home with his, you know, life in a copy-paper box. And, because he comes home early, he catches his partner with someone else(Sometimes a friend) Maybe she tells him she's(Finding herself, meant to be a country star, or Faking It For Years)
Anyway, these things usually end with some guy crying, standing out in the rain, while a car or bus splatters him and his Box O'Crap. I don't ever want to write...that. But it sucks to feel that I've jerked the tension up too high or some shit.
Maybe I need to go back to the original conflict of the lack of access in the Special Occasion Restaurant so my couple can stay more of a team. Should I write another version? Should I write another version or slam my hand in a door lest I feel tempted to create again?
Maybe I need to think about what I really want to say through this couple, but it's always hard when there is a voice in my head all "What do you know? You're too defective to be in a couple longer than twelve minutes, and he would have married ANYONE," (he kind of did. she was my ugly copy)" And, by the way, the education you picked instead? Solid fucking bet. Betting on yourself, when that self is you...you may be so smart you are stupid, loser.
I tried to be more subtle, but my last round of feedback was just...frelling savage. (At least I paid kind of a lot of money for it so it feels really good to know that she hates my protagonist--I like Neil--if I did my job, she would like Neil at least some of the time instead of offering thoughts on "The Unlikeable Protagonist". She noticed every typo and flaw in my formatting(which is a fairer cop, I suppose) It would save me a lot of time if either
1. word processors had Short Story format mode.
2. Publications would admit we aren't in it to be junior paginators...stop giving us special challenges to prove we're listening/serious/ not typing from the shelter. Setting up Headers and stuff is a huge pain, which I hate. I hate it more when then it's like "We're judging blind...take your name off."
Our Main Character goes off dressed up in the morning, certain he's getting a promotion at Non-Specified Office Job, only to find out he is actually being demoted or fired instead so he trudges home with his, you know, life in a copy-paper box. And, because he comes home early, he catches his partner with someone else(Sometimes a friend) Maybe she tells him she's(Finding herself, meant to be a country star, or Faking It For Years)
Anyway, these things usually end with some guy crying, standing out in the rain, while a car or bus splatters him and his Box O'Crap. I don't ever want to write...that. But it sucks to feel that I've jerked the tension up too high or some shit.
Maybe I need to go back to the original conflict of the lack of access in the Special Occasion Restaurant so my couple can stay more of a team. Should I write another version? Should I write another version or slam my hand in a door lest I feel tempted to create again?
Maybe I need to think about what I really want to say through this couple, but it's always hard when there is a voice in my head all "What do you know? You're too defective to be in a couple longer than twelve minutes, and he would have married ANYONE," (he kind of did. she was my ugly copy)" And, by the way, the education you picked instead? Solid fucking bet. Betting on yourself, when that self is you...you may be so smart you are stupid, loser.
I tried to be more subtle, but my last round of feedback was just...frelling savage. (At least I paid kind of a lot of money for it so it feels really good to know that she hates my protagonist--I like Neil--if I did my job, she would like Neil at least some of the time instead of offering thoughts on "The Unlikeable Protagonist". She noticed every typo and flaw in my formatting(which is a fairer cop, I suppose) It would save me a lot of time if either
1. word processors had Short Story format mode.
2. Publications would admit we aren't in it to be junior paginators...stop giving us special challenges to prove we're listening/serious/ not typing from the shelter. Setting up Headers and stuff is a huge pain, which I hate. I hate it more when then it's like "We're judging blind...take your name off."